Archive for the ‘Anime’ Category

Book Review: MS Era 0099– Mobile Suit Gundam 0001-0080

Tuesday, June 15th, 2010

As some of you may remember, I was in Japan almost exactly one year ago! And you know what? I bought a ton of books over there! I’ve been meaning to review them for a good long while, but I never actually found the time or drive to sit down and write some real reviews. However, that all changes today with a Mistakes of Youth Exclusive review of the realer than real Gundam artbook, MS Era 0099– Mobile Suit Gundam 0001-0080.

Ever since the original Gundam aired back in 1979, its realistic approach to the horrors and nature of war caught the eyes of viewers who were far more mature than the show’s intended target audience. While the original Gundam TV series, and to some extent the subsequent compilation films, are candy-coloured cartoons meant to sell toys to little kids, fans were fascinated by their realism despite these outward appearances. Before Gundam came out, there was nothing in the way of “real” robot shows, so the idea of a robot being used as a military weapon was a completely new one, even if the robot was hilariously toyetic.

Over the years, a bunch of UC-centric Gundam media has pushed the real world angle hard where the original TV show did not. One such bit of media, which drives this idea home 110%, is MS Era 0099.

Considering this book came out in the 1990s, I can only assume that it was an idea thought up by guys who were taken in by Gundam during their high school years. This isn’t an easy-to-compile collection of artwork by hands who worked the original show. This is a book filled with images drawn especially for it. It is a love letter to UC Gundam if ever there was one.

0099 is a mock photo album, covering the supposed events of the One Year War. It’s a hardbound number, and it’s meant to evoke complete and total seriousness. As if it was a real book you could pick up if you lived in the Universal Century. Contained within are roughly 100 “photos” taken during the One Year War, matched with English captions and a running timeline–also in English–of the events between the first year of the Universal Century and the end of the One Year War, 0080. There is also an introduction to the book, which contextualizes it within the Gundam universe, along with brief biographies of the “photographers” at the back.

These illustrations aren’t meant to be flashy DVD cover material. Their compositions are very subdued, and at times mundane, with the intention of feeling like a real photo album. Drawings oftentimes err on the side of complete realism, while colours are deep, dark, and at times quite de-saturated. The illustrations are done on cels, giving them some honest texture in addition to a noise filter that seems to grace most–if not all–of the images in this book. In fact, a lot of filtering is used to add a degree of realism to these drawings, and strangely enough it doesn’t look contrived at all. Motion blurs, lens flares, monitor scan lines, along with sepia and monochrome toning give these illustrations lots of character, lending themselves more to this idea of realism.

The subject matter ranges between very powerful depictions of war-time acts, and quieter subjects that flesh out the UC world. Images of foot-soldiers attacking Zakus, GMs sniping in the forest, and mobile suits launching are amongst the more exciting images in the book. Depictions of astronauts working on the first space colonies, tests of prototype mobile suits, Zakus as they come off the assembly line, and a portrait of Dr. Minovsky make up a portion of the book that attempts to bring some degree of believability to the science and technology in Gundam.

The book is also filled with portraits of random people, adding the human element needed in any realistic depiction of war. Friends and relatives mourning over the death of a soldier, people left homeless after an attack on their city, and kids playing on the wreckage of mobile suits paint a rich image of civilian life, which is barely touched upon in any anime adaptation of Gundam. On the military side, we’re treated to soldiers playing cards, taking sips of coffee in the snow, and lighting up smokes.

Certain other illustrations in this book look like they could have been taken from newspapers, like a black and while photo of Gihren Zabi in a Hitler-esque pose during his famous speech after Garma’s death, or another black and white shot of General Revil returning to the Federation after being held captive.

Yes, there are some cameos of actual Gundam characters throughout this book, but since its focus is more around what the series never showed you, their presence is tastefully restrained. There are about two pictures of Char in this book, and in each one his face is only partly visible. Another illustration depicts a harbor in Ireland, where one can only just make out the top of the White Base poking out from behind a wall.

Every single illustration in this book is well done. There is no instance of anything looking strange or off model. One can thank the talented group of illustrators behind these drawings, of which one is Cowboy Bebop character designer and professed Gundam otaku Kawamoto Toshihiro.

I can’t say the same for the written portion of the book, however. Honestly, reading this book is a chore. Yes, it is bilingual, with the English at the forefront (English is the language of the future, after all.) and the Japanese relegated to odd corners throughout the book. Considering this book is made for a Japanese audience, the English is purely cosmetic. However, as an English speaker, this translation is hard to get through. It’s done by a westerner, but clearly someone who obviously had no interest in Gundam, and was paid the absolute minimum to translate this. It doesn’t read like a machine translation, but it is very stilted and has a few newbie translation errors. If the translation was better, it’d be easier to get immersed into the book, but as it is, it just takes you out of the experience. I can’t say much about the Japanese, but a quick glance brings to light random mojibake on one page. In short, it’s a lot more fun to look at this book than to read it, and maybe glance at the captions every now and again. That said, it should probably be read through at least once.

MS Era 0099 is one of the quirkier things I’ve seen come out of the Gundam merchandise machine. Despite some stupid technical issues, it truly is a lavish love letter to the UC universe, and I recommend it to any serious Gundam fan. As far as buying it goes, Google brings up a couple of sites that sell it. Don’t go for Amazon–it’s way too overpriced. Getting it second-hand at BeNippon is probably you best bet. This book originally retailed for 3500 yen, and I probably got it for around 1800 at Mandarake. It was a little beat up, but if anything that just adds more character to a book that’s already brimming with it.

Further Images



Summer 2010: It’s all sequels and adaptations!

Saturday, June 12th, 2010

There’s honestly no point in someone like me writing a season preview post, since I really don’t have anything worthwhile to say. If you want something written by someone who actually has some decent kung-fu, I recommend that you read Ani no Miyako’s season preview. If you want something written by some lame webcomic artist with crippling self-esteem issues, continue on!

You know, the last time I did a post like this–which was most likely back in 2008–I probably linked some Something Awful forum thread with a list of shows, because those tended to be alright. However, since ADTRW has devolved into a congregation of hilariously paranoid people who are completely afraid of any type of sexuality, my source this time comes by way of a faggot who likes to make charts.

I JUST CAN’T WAIT!! I SIMPLY CANNOT CONTAIN MYSELF DUE TO ALL THE EXCITEMENT

Strike Witches 2: I made a grievous error in not blogging enough about the first Strike Witches series as it was airing back in 2008 (considering I have the DVDs now, that may well change) but even so, it should come as no surprise that I really enjoyed the first season of Strike Witches. Moe-centric cash-in series are a dime a dozen, and it wasn’t looking too good for Strike Witches between that pilot episode released in 2007 and Gonzo’s spotty track record. However, it turned out to be a wonderfully charming series with a lot of heart, and a lot of girls who neglect to wear pants.

It’s been two years since, and Gonzo is now six feet under. Taking over for them is AIC, who have a few more years under their belts than Gonzo, and have also worked with Gonzo in the past. However, history has shown that popular franchises moving between production houses is generally not a Good Thing. But with that said, a lot of the core staff is on board for this sequel, and there is only one seiyuu change for a character I don’t particularly care for. Who knows? We may get something even better out of the same creative staff working with a slightly more experienced studio. It’s not as if AIC is a stranger to the mecha musume genre.

MORE SHOWS ABOUT GIRLS THAT PROBABLY WON’T BE AS GOOD AS THAT LAST SHOW ABOUT GIRLS

High School of the Dead: As someone who doesn’t read manga very often, I can’t say I’m familiar with the original work that this anime is being adapted from. However, I am familiar with DIGITAL ACCEL WORKS, the talented artist behind High School of the Dead, who has penned some of the finest women I have ever spanked monkey to. These sexy designs–matched against what seems to be a tongue-in-cheek parody on zombie films–brought to life by the talented folks at Madhouse should make for a rather entertaining set of episodes that I may just watch more than once. The preview looks good, at any rate.

Mitsudomoe: Once again, I can’t say I’m familiar with the manga this is being adapted from. However, this time it’s more a case of no used bookstores in Japan having any copies of it than me not being particularly interested in reading it. A little birdy has told me that this series is more or less Ichigo Mashimaro, except for way more honest about itself, which is totally something I can get behind. So long as the show manages to have sharp direction and entertaining humour, I’m all game. Considering that this is from the same director and studio that made the first (read: good) Minami-ke, I don’t think it’s unfair to expect a well-done comedy.

I also have a doujin for it, which is pretty sweet.

Sekirei–Pure Engagement: Alright, I watch some pretty trashy shit. I mean, I’ve mostly gotten over it, but every now and again I need something that is more than happy to just shove tits all up in my face. I watched the first Sekirei back when it dropped, and found it rather entertaining, despite ending on a cliffhanger. Hopefully this series will wrap things up nicely. If not, well, there’s tits. And they’re nice.

I just realized that I completely forgot the plot of the first series, but I don’t think that really matters. There’s a good chance they’ll open this series up with a recap anyways.

I CAN’T SAY I’M TERRIBLY EXCITED FOR THESE SHOWS, BUT WE’LL SEE

Asobi ni Iku Yo: This really just looks generic as fuck, and not even in an entertaining way. However, it is set in Okinawa, which could make for an interesting setting. I’ll probably bail after one episode.

Occult Academy: I can’t say that Japan has really been impressing me with its anime’s chikara. However, this offering looks slightly less pretentious, so maybe it’ll be alright? Apparently it has some okay people working on it. But I don’t have high hopes. At all.

No SHAFT show this season! What am I going to do?!

One more thing about Evangelion 2.0, then I’ll shut the fuck up

Wednesday, June 9th, 2010

Between that review I wrote a year ago and those podcasts I just put out, I should hope that this is the last I have to say about Eva 2.0. For now.

This isn’t going to be long, either. I simply want to say one thing that I’ve neglected to mention thus far, and that is: What happened to movies like these? Like, anime movies. Upon multiple viewings, I can say with some certainty now that Eva 2.0 isn’t the perfect, polished gem that I thought it was walking out of that theater in Ikebukuro on opening day, but it’s still an excellent film. It’s excellent because it is exactly what got me into anime in the first place. Yeah, I was one of those 10-year-olds in the late-90s/early 2000s who got into anime via Pokemon and Dragonball, but it was the big spectacles secured my interest in the medium. You know, them big crazy anime movies they used to make. While my tastes have matured to the point where I enjoy works that may be a touch more laid back, a movie like Evangelion 2.0 really does well to ignite a fire in my soul.

I mean, it doesn’t really take much. When I break it down, the things that blow me away in this movie are purely on a directorial and technical level. Take the final scene for example, which is really what drove it all home for me. It’s a wonderful mix of extreme, creative and beautiful imagery, along with a really acute attention to establishing tone through acting and music. Shinji hacking his way through various planes of existence while his skin gets torn off, NERV personnel spouting off exposition dramatically while looking on in horror, and the Eva doing her best Devilman impression, all matched to a rousing rendition of Tsubasa wo Kudasai. The way everything just culminates in that final scene is really mind blowing, especially the first time around.

But while I say it doesn’t really take much, I seem to remember seeing a number of other works trying their hardest to nail scenes like this, but they all fall flat. Maybe it’s just my imagination. But what I’m trying to say here–in hopefully under 500 words–is that this movie owns hard, and why don’t other anime movies own this hard? I mean, Tokikake owns really hard, but not in the same way. Is there just no market for crazy movies like these? Does the next masterpiece on the level of End of Evangelion just have to be Evangelion again? I mean, I guess there’s Gundam Unicorn… but wait, that’s Gundam.

Maybe the strengths of those franchises enables these works to occupy the godly realm that they do. I don’t know. But what do know is that I want crazy, big-budget action movies again. Actually, not even action. What I want is more super natural.

I mean, I guess I can just watch End of Evangelion again. I do finally have this lovely R2 rip, after all.

Art: Jiiiiiiii

Tuesday, June 8th, 2010

Click for big.

Lineart is really weak. Tried to cover it with lots of textures and shading, and it shows.  Uhh, not sure if I’m actually allowed to sample those patterns. They’re traditional Japanese patterns, so it should be okay, right??

MoY Podcast 2 BEYOND THE TIME: Episode 27– Anno Fucks With Us Again, Part II

Tuesday, June 8th, 2010

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The spoilerfic show! We do cover more technical information, but we really start to dig deep into the movie after that. What gems do we unearth? Eh, not much really. But it’s fun!

Guests

Songs

  • Opening Song– “Tsubasa wo Kudasai” by ~The Lovely Evangelion Girls~
  • Ending Song– “Koi no Kisetsu” by Kon Yokou and Pinky & Killers

It seems SHAFT will be takin’ it easy

Monday, June 7th, 2010

The more astute of you may have noticed that in the preview for the upcoming summer 2010 anime season, any sort of production by studio SHAFT is mysteriously absent. I can’t tell you why exactly, as my main source for inside information on the company has gone silent–probably at the hands of SHAFT special agents–but I do have my suspicions.

It doesn’t take a genius to figure out that the quality of some SHAFT works has been lacking lately. I’m not even talking about things like story or direction. I’m simply talking about animation quality, at least for now. I’ll touch on direction at the end.

SHAFT is known for shoestring productions–it’s their modus operandi–but I’m under the impression that the issue now is simply a lack of man power. Take a look at SHAFT works from around 2007, 2008 and maybe 2009. Those first couple of episodes of Sayonara Zetsubou Sensei are pretty animated. Like, things actually move around a lot; for a SHAFT show, anyway. Similarly, in Zoku Sayonara Zetsubou sensei, there’s three fully animated episodes that look really great. On the sunnier side of things, Hidamari Sketch x365 had some uncharacteristically active episodes as well. There was also that killer opening for one of those Negima OVAs.

And there was something in that boring ef cartoon.

But yeah, while recent offerings have tried to make ends meet, it’s no secret that Dance in the Vampire Bund needs some cosmetic help, Bakemonogatari still isn’t done a year later, and that SHAFT was commissioned to do an opening for a TV show, and only has this to show for it so far. Given what I know, I can only really attribute this to the aforementioned lack of man power. SHAFT has lost two of their main partner studios, and from what I hear they’ve been losing some personnel. I’m not sure about that last one, but they are always hiring.

So, they’re taking a break. Rather, they’re not making any shows right now so they can work on completely re-animating Vampire Bund (Blu-Ray vol 2 has some sweet CG fish, and apparently subsequent volumes will be completely re-worked, according to Tamaki Nozomu.) and finishing off Bakemonogatari. Hopefully they can pick up some more staff in that time, too.

And honestly? I think SHAFT does need a break. I feel that a lot of their earlier works with Shinbo were all distinct and independent of each other, while still sharing the same directorial quirks. However, I feel that lately they’ve fallen into a pattern. Yes, there are tons of Shinbo hallmarks in these newer works, and I still find them entertaining. However, upon popping in an episode of Cossette, one can see how different a true Shinbo work is from one where a director under him is simply trying his best to imitate.

MoY Podcast 2 BEYOND THE TIME: Episode 26– Anno Fucks With Us Again, Part I

Sunday, June 6th, 2010

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We talk about Eva 2.22! This is a spoiler-free show that mostly covers the technical aspects of the movie, so I guess it’s kind of boring? Especially since I’m not an animation expert?? Good thing Aaron and Bonertown know things. Part II will cover more spoilerific details, so look out for it in a few days!

Some things mentioned in the show:

Guests

Songs

  • Opening Song– “Mellow 2009″ by Sagisu Shiro
  • Ending Song– “Furimukanaide” by The Peanuts

I need your comments: General opinions on SHAFTXSHINBO works

Sunday, June 6th, 2010

Alright guys, here’s the story: I got wrapped up in a thing that I want to leave as a surprise for now, but for it to go anywhere I need to conduct some quick and dirty research. Since I have a readership and a comments field at my disposal, I figure I may as well use them.

So basically, I’m asking you guys for opinions. Specifically–as mentioned in the title of this post–your opinions on works by anime director extraordinaire Shinbo Akiyuki. I don’t need much. Just one or two paragraphs if you can.

Also, if some of you can drop a few names of any other communities where you feel I’ll get good responses, that would be great.

Thanks!

I want to say something good about Angel Beats before it does something naughty

Monday, May 31st, 2010

I guess this has spoilers.

I am not as allergic to works by Maeda Jun as some others can be. I can’t say I’m fan of his work,  but I do appreciate what he does some of the time. To recap a bit, Kyoto Animation’s Air, despite at times no making sense, hit hard with raw emotional force. Their adaptation of Kanon, being longer and more polished, also did well to pull at my heart strings, even if I didn’t care for how it ended. Clannad was a bit of a misstep, this time being  far too long and far too much of a re-hash. It was a solid production, put lacked the kind of highs the previous two works had.

Angel Beats, unlike those above-mentioned works, is not in fact animated by Kyoto Animation or an adaptation. It’s instead animated by P.A. Works and an original story. As far as I can tell, it’s penned by Maeda himself, rather than being another person’s interpretation of his work. Suffices to say, it’s a little different from the rest.

Before I lavish bits of praise upon the show, let me get the things I don’t like out of the way first. The character designs, despite having grown on me, are incredibly generic and unadventurous. They should take a page from SHAFT, who while only adapting character designs from manga or light novels, manage to make the most interesting looking characters out there these days. I also think there are too many characters, so many of them just come off as one-note gags. And not in the good Sayonara Zetsubou Sensei way.

However, those complaints have all become trivial now, as the show has some fairly strong story and humour elements that keep me relatively entertained. Maeda is usually content to just smother the audience in sob story after sob story, and that’ll be the whole story, but Angel Beats takes things a bit further. Since the characters are already dead, it would be lame for the show just to concentrate on why they all died, though that is a part of it. What drives the show–or drove it, I should say–to this point was an underlying sense of mystery.

I shifted into the past tense because in episode nine (the most recent one as of this writing) brought to light the truth behind a couple of unresolved matters, such as just why these dead people are being sent back to highschool (They had unfulfilled youths.) as well as Otonashi’s mysterious past before he died!

The former is what really kept things interesting between the moments of (mostly) well executed humour and questionable offensives by the SSS-Dan. The latter didn’t really nag you as much as the setting did, simply because they didn’t mention Otonashi’s amnesia all that much, but it hits pretty hard. I think the first half of Otonashi’s story, which focuses around his sick sister, is probably Maeda at his finest. Call me a sap, but I enjoy seeing characters being pushed to the edge by an unrelenting force, even if that unrelenting force is a magical dying girl. It’s kind of silly, but I choked up inside. It’s how I like it. The second half–the subway story–was a bit too far fetched for me, but Otonashi dying right as the rescue crews come in was a nice touch.

With some of the main threads taken care of, along with Otonashi teaming up with Angel/Tenshi/Kanade to help bring the rest of the SSS-dan to rest, the show is gearing up to conclude. The problem is, the prospect of Otonashi and Kanade trying to bring everyone to rest by having them spill their sob stories sounds pretty lame, so I hope Maeda has something really cool up his sleeve.

Art: Fujiyoshi Drawing

Monday, May 31st, 2010

Click for bigger.

I like it I guess? Probably bad.