Kon Satoshi is dead. No one will see him ever again. He will never make another movie. Ever.
I think what’s hitting most of us the hardest about this whole deal is how shocking it is. No one was expecting that there would be a day in 2010 where Kon would die. This is to say, his death was untimely. He was only 46–younger than my parents!
Putting aside the obvious personal loss to his family and friends, for people like me who only know him as a director, the weirdest thing (second to him dying so early on) is that he will never make another movie ever again. With only four films under his belt, one TV series, and a new film in production, his career was cut way too short. Certainly he’s had his fingers in a variety of other sinister soups, doing animation work and script work on a number of projects; but the stuff that was actually 100% him was short in number, and will never be seen again. That really sucks.
Truth be told, I’m not able to call myself a devoted Kon fan, but I have enjoyed all of his output that I’ve seen, which is basically everything that has his name beside the word “director,” except for Perfect Blue. Like most other people, I also feel that his death is gigantic blow to the anime industry. Kon undoubtedly had his own unique vision when it came to movie making, one marked by characters rendered in a semi-realistic style, along with a pension to bend that established reality into whatever his imagination could conjure up.
Is anime dead? No. I mean, I still have all my fun otaku-centric stuff coming at me at full speed. But anime is no longer on the map, and while Hosoda is making great movies, I’m not sure how many people are going out to see ’em! Kon’s movies were things you could show to any seasoned movie goer, and they’d probably enjoy it. I can sit down with my parents and watch one of his movies with no reservations. Anime is shoulder deep in the shit right now, and the industry needed a man like Kon to make movies that would help bring the industry back above water and thrive.
Whether you loved his work, hated his work, or were just indifferent to it; it is a fact that his death is a severe blow to the industry. It is also a fact that Kon’s storyboards–which he’d keep working on for a year and change per movie–are amazing.