Chillin’ at Otakon 2010

August 14th, 2010 at 01:00:48 by wah

Otakon’s been over for how many weeks? Two? Three? Four? Five? SIX?! I dunno, I haven’t been keeping count, nor do I have any concept of time. But what I do know is that this con has been over for a while, and a bunch of other cool cats already have their reports up. You should know how things run over here at Mistakes of Youth by now, so this punctuality shouldn’t be surprising.

I missed Otakon in 2009 due to being in another country while it was going on, and upon hearing reports of how fun that one was, I was actually pretty excited to get back to Otakon this year. And it wasn’t bad! Really chilled out. There were a few panels I wanted to go to–mostly run by friends and acquaintances–and between them was plenty of time to peruse the dealers’ rooms and socialize. Autograph lines were no problem, and I got to see a cool movie!

Read the rest of this entry »

Comic Update: Twinkle Snow Powdery Snow

August 10th, 2010 at 12:23:35 by wah

Original Post

Here is your Otakon report comic. It is 100% accurate! The big written report should hopefully be up by tomorrow… I already have some photos up: safe for work ones, and not safe for work ones.

The next comic is all drawn up, and I’m quite happy with it, so hopefully it should be up on time!

Otakon 2010 AFTER DARK (R-18)

August 9th, 2010 at 12:11:33 by wah

Here are some photos I probably shouldn’t upload to the Flickr.

Read the rest of this entry »

Mistakes of YouthXAnimerca@Comiket 78

August 7th, 2010 at 15:18:28 by wah

Alright you guys, since they’ve let the cat out of the bag in Japan, I can tell you guys about it here: Mistakes of Youth is returning to Comiket. Well, I won’t be there personally, but my insane writings will be! And in Japanese! Yes, Mistakes of Youth is breaking into the world of hardcore anime criticism doujinshi in Animerca volume 2!

“But, volume 2!?”, you say in shock, “What about volume 1?!”

Well, I wasn’t in volume 1, but some of my associates were. What happened was, since I was once a member of the prestigious MIT Anime Club (I am no longer geographically capable of being a member, sadly.) I was part of their mailing list. So one day the editor of Animerca, Episode Zero-san, emails us asking if anyone from the club wants to write something. This hit at a somewhat busy time in my life, so I passed. But when he emailed the club again asking for submissions for volume 2, I decided to give it a shot.

So just what in the hell am I writing about? Big surprise here: Shinbo Akiyuki. What was originally meant to be a short 1500 word piece turned into a 3500 word epic, covering a lot of the material my Otakon panel covered in far more meticulous detail. There is a section at the end that covers the general reception to his works in the west, which is what that spot of research was for a while back. Now you know!

Aside from my little novella, there’s other stuff you should look out for from The Land Of The Free in this book. Internet superstar and anime convention panelman extraordinaire Alex Leavitt has a piece in the book about Toonami. There’s also a round table between Mr. Episode Zero, the aforementioned Mr. Leavitt, the mysterious kransom, Dave “Subatomic” Cabrera, and little ol’ me. We talk about anime’s reception in the states over the past 10 years, covering topics such as the reception of moe (guess how that one turns out), how anime found its way over here, and what Americans want out of anime.

The book’s being sold at Comiket 78 (that’s in like, a week) on day 3. Their booth is in the east hall at table N-04a. If you’re around, pick it up. It’s like 10 bucks.

The Great Anime Race

August 7th, 2010 at 14:06:52 by wah

In the great tradition of blogging about anime-related dreams, I would like to share one of mine with you. Don’t worry, it isn’t sexual.

It was like some kind of anime game show thing, apparently thrown together by this guy. It was like a board game, except instead of moving pieces around, you moved from place to place yourself. In order to move from one place to another, you had to answer bits of anime trivia correctly. In some cases when you answered questions correctly, you were presented with a prize.  However, if you answered incorrectly, you’d be thrown down another path. It wasn’t made quite clear why this happened, since logic doesn’t really work in dreams, but I’m going to assume this other path was a longer-way to the finishing point.

The locales for each of the questions was weird. They changed between old houses I used to live in, school settings, and opulent Arabian palaces.  But in each case the questions were written down on some ghetto sheet of paper that was laminated and stuck to a wall.

It was really quite fun, but thinking about it doesn’t really make sense in real life.

Spaced Out

August 5th, 2010 at 18:36:50 by wah

Even if they’re late in getting the word out, Otakon always manages to deliver something interesting at the last second. In the case of Otakon 2010, that something was the US premier of Welcome to the Space Show, an original movie by those wackos who brought us Read or Die and Kamichu!. I don’t really think I have the guts to deliver a full on review of this film, but I’ll try anyway!

Space Show follows the exploits of five kids, Natsuki, Amane, Noriko, Koji, and Kiyoshi. They’ve decided to make a retreat out into an old school house for one week during the summer to get their homework done, amongst other things. Other things including searching for Amane’s lost pet rabbit, who Natsuki accidentally set free during a lapse of stupidity. They end up finding an injured dog during their search, and decide to take him in. Upon awakening, the children are amazed to find that the dog can talk, and is in fact an alien.

Turns out this alien–hilariously named Pochi–came down to Earth on a recon mission, searching for a rare plant which is naturally occurring on Earth. In return for saving him, Pochi offers the kids a trip up to the dark side of the moon. However, upon reporting his findings about Earth, government authorities cut off all flights between the Earth and the moon. The rest of the film is devoted to the kids finding their way back home, and an underlying conspiracy revolving around the rare plant Pochi was after, and the galaxy’s most popular TV show–The Space Show.

I suppose what’s worth mentioning first and foremost is that Space Show truly is an original film. I mean original in the sense that there is no GENSAKU to RAPE. There is no Original Way to escape down. Space Show materialized completely on its own. This is pretty rare, since even a lot of anime classics like Ghost in the Shell and Akira are based on existing works, and that alone makes Space Show worth noting. The movie also seems to be part of a developing trend in making original anime movies, possibly starting with Shinkai Makoto’s works, and Hosoda’s Summer Wars.

Space Show is loaded with heart, creativity, and admittedly lots of lolicon service for weirdos like me.  The female characters, which are the main draw for me, are quite cute. While I don’t typically like the genki, sporty girl; Natsuki captured my heart as soon as her ass-hugging short-shorts filled the screen with all their glory, and as she moved deeper into the shot I fell further in love with her sexy, bare legs. I mean, she has a great personality, too. Childish, but not annoyingly so (Coming from a man who feels Index is the best character in her show.) and determined. Her younger sister, Amane, is a touch too serious for me, but she also has inspired moments of cuteness. Lastly, Noriko, provides an excellent, down to Earth, straightman. I suppose there are male characters, too.

Much like Kamichu!, there are strange creatures (In this case aliens, not kami.) that inhabit and bring life to the alien world the movie presents us. Okama delivers a varied compliment of strange and unusual designs that actually look like aliens from another planet.  There is only one design I don’t like, and it’s an obvious Totoro ripoff, but that’s balanced out by his cool personality. However, the rest of the designs are overflowing with creativity, and always find a moment to shine, even if it’s a split second in the background, doing something weird. This creativity can be extended to the world in which this all happens in as well, which I assume Okama also had a hand in.

There’s some serious production values at work here for a little movie that some kimoi otaku put together for mainstream consumption. The animation is generally very fluid, making everything in the film from the characters, aliens, and backgrounds living and breathing. Cuts of animation are inconsistent here and there, but that gives the movie more soul than anything else.

One of the main flaws of the movie is its plot. While a collection of interesting ideas, the main underlying story seems to be trying too hard to be a kids movie. Kids get whisked away from home, can’t go back, have to find a way back, and wind up needing to defeat an evil baddie by the end, too. This isn’t to say formulas like these don’t work, but given the movie’s somewhat amateurish plotting, it doesn’t really seem to know where things are going. Some aspects of the plot are just poorly explained, if explained at all. It kind of finds its footing after a particularly dramatic event, but after that it simply feels as if we’re just going through the motions. Things do come back together nicely for a wonderfully heartwarming ending, though. And if there’s anything this movie gets right, it’s heart.

Another issue with this movie is that it’s just a big ol’ otaku fest dressed as a kids movie. This isn’t an issue for me, obviously, but considering this is some big movie for normal people to watch, that’s not a good thing! Yeah, I love seeing Natsuki sprawled out on a bed with skimpy clothes on, too, but a normal person just thinks that’s creepy! But even on a more fundamental level, these girls are simply too sexy to be cute and approachable Miyazaki heroines. But perhaps I’m just projecting.

Anyway, if you’re down for a fun movie with lots of neat ideas, cute characters, and lots of heart–even if somewhat unfocused–I think you’re gonna dig Space Show. It probably helps if you’re a dirty lolicon, too, but that certainly isn’t a requirement.  I got a kick out of it, for the most part.

A picture is worth a 1000 words… if you can come up with any

August 4th, 2010 at 09:51:14 by wah

Photograph taken by @StephanTP.

Don’t expect an Otakon report from me until next Monday at the earliest. The cable that connects my camera to my computer is in a different city at the moment, and don’t really want to post something without visual aids. In the meantime, you can read a few of these great reports.

Anyway, after successfully finishing my (much better) Shinbo panel at Otakon 2010, I’ve realized what I really enjoy doing when speaking about anime, be it on a blog or on a panel: Talking about art. I’ve always realized this to some degree, but it never really hit me as clearly as it did when people said my panel was “informative,” either in real life or on the ol’ tweeter. Thanks to all you guys who came, by the way. Really appreciate it!

Writing about the visual side of anime is not completely unheard of across the multitude of anime blogs out there, but people who do talk about it are few in number. There are a couple of sakuga blogs, folks who talk (Somewhat inadequately, in my opinion.) about artbooks and doujinshi, and people like SDS write some pretty great things about anime as visual art every now and again. It’s not a surprise that only a handful of bloggers care to talk about anime as art. It’s difficult.

I don’t want to generalize, but I’ll go out on a limb and say that artistic people have a hard time putting their visual ideas into words, because it’s easier to just show what they’re thinking rather than saying it. Further more, breaking down the finer aspects of art requires specialized knowledge of the craft and terminology. Of course, you can pick a lot of this up by reading art crits and sprinkling on some BS, but it’s tough unless you’re really into it. And most people aren’t.

I’m going to assume that most people who look at anime, manga, or illustrations simply think of the pictures flashing before their eyes as “pretty,” and nothing more. Maybe they can see “ugly,” but often times good animation is confused as ugly, and sometimes people don’t notice animation when it’s clearly off-model. People instead latch on to commenting on story and character developments, or picking apart the rules of the world in which the characters live in. I assume that it’s easier for most people to get their head around these concrete ideas, as opposed to the rather abstract and strange world of marking up a paper with lines to create a picture. I’m not really getting on these people’s case, but I feel the ratio of them against people who care about the presentation of the plot, characters, and setting as opposed to those elements on their own, independent of how they’re presented, is too off balance.

I’m biased here. I got into anime because I liked cartoons in general, and I watched a lot of these things first and foremost for the presentation. It’s not as if I wasn’t taken by the scripts behind these moving pictures, but I liked taking the whole package into consideration, with a strong emphasis on the presentation. By “presentation,” I just don’t mean the visuals now–I mean how scenes are cut together, how shots are framed, how music is used, and the like. I am able to tell you whether I like a character or a story, but fuck if I can read into any sort of deep meaning in them. I just appreciate those things at face value. However, I’m far more interested in breaking down the technical processes behind how one presents a story though visuals and sounds. I guess this is why I don’t really care for fiction writing–it doesn’t stimulate many senses.

So that’s what I’d like to do, and have been trying (and failing, for the most part) to do with this blog: Take the presentational aspects of anime, manga, 2D visual culture and put them into words so people can understand why I like them. I’m not sure how many US cons are in my future at this point, but if I can I’d love to do panels on illustrators, and certain animation studios. Maybe it’ll be “informative,” or something!

Comic Update: Lounge Designers Killer

July 29th, 2010 at 14:44:30 by wah

Original Post

Just a quick update before I take off for Otakon. Incidentally, if you’d like to see me at Otakon, details about doing that can be found here.

I was going to watch an episode of Strike Witches before taking off, but my computer fucked up and I ran out of time… guess I just have to watch it on the train over there!

Mistakes of Youth@Otakon 2010

July 28th, 2010 at 01:52:17 by wah

This is more or less the same stuff I mentioned back in this news post, but it’s just good to have this stuff consolidated to one post, right? Right!

But yeah, my broke and sorry ass is gonna be creeping around the Baltimore Convention Center this weekend for the once-a-year Anime Extravaganza, Otakon. Chances are I’ll be donning my stealthy Strike Witches cap, which looks not unlike a random cap one would buy at an airshow, hence its stealth capabilities. Only people in the know can know. But if you really wanna see me 100%, I’m running a panel at this little nickle and dime show, too. It’s called The Life and Times of Akiyuki Shinbo, and if you’re not sure what the panel is about from that title, you probably haven’t been reading this blog for very long, have you! Anyway, the panel is at 9:00 pm on Saturday in Panel 4. Since there are 30 minutes between each panel, I’ll probably be fucking around with my computer 15 minutes prior to try and get my panel up and running to start at its appointed time, so if anyone wants to come and shoot the shit, you’re free to do so. I’ve gotten one email asking about the possibility of a Mistakes of Youth meet ‘n’ greet this year, and I think that’s the best it’s gonna get. I’ll probably be wearing a Sayonara Zetsubou Sensei shirt. Cospa doesn’t make one, but J-List does!

See you jokers there!

Re: Sato Dai

July 25th, 2010 at 16:30:21 by wah

Alright, so a little while ago Sato Dai–one of the main writers for Cowboy Bebop (Perhaps you’ve heard of it?)–said some pretty critical things about the Japanese anime industry. The industrious folks over at Otaku2 put up a summary of the man’s thoughts, and having read them, I just have a few comments to make.

He has two main points, and I agree 100% with the first one. I’ve never really liked how portions of anime production have been obviously outsourced overseas for years, even if the quality of the work has gotten better over time. It’s pretty childish, but I feel a little gypped watching “Japanese” animation when all of the grunt work is done in China, South Korea, North Korea, Vietnam, or some other not-Japanese Asian country. There are the often cited and more practical issues that come about as a result of this as well: Inbetweening used to be how people got into the industry. From there they moved on to bigger roles, such as key animation. But with inbetweening being almost completely outsourced these days, that’s not an avenue that’s readily available for anyone wanting to get into the business. Also, it goes without saying that if most of the work is kept in house, then there will obviously be stronger continuity across the work in terms of quality and creative vision. There’s also money issues, but I’d rather not get into those, as they have already been repeated ad nauseum elsewhere on the net.

My thoughts regarding his opinions on the role of story in anime these days (or the lack of) are a bit more complicated. Not that complicated, but not 100% agreement.

Some of his opinions seemed too deeply colored by his role as a story writer. And why wouldn’t they be? It’s how he’s made his living, so it’s natural that he’d be annoyed by anime primarily focusing around characters going about their daily lives with no real narrative to drive it all. But because of that, I can’t take him completely seriously. In some ways, despite being an industry guy, he just seems like any other older anime fan complaining about how his beloved cartoons are no longer about great space battles and instead about girls eating cakes all day.

I do however think that the average fan is just completely uninterested in anything plot driven, which is an issue. I don’t feel plot is necessary for something to be entertaining, but the balance between shows about nothing and shows about something is off. I guess there are some shows about something, but they tend to be adaptations. I suppose that Anime no Chikara project that I’m constantly complaining about is trying to do this, but it’s not doing a very good job.

I do completely agree with him in regards to how anime is restricted to having certain elements in it, or else fans won’t be pleased. He used the term “super establishment system” to describe this, but there has to be a better translation for whatever he said in Japanese. Either way, the design-by-committee approach some shows have doesn’t especially bother me, but it certainly isn’t helping anything. This is why I appreciate SHAFT, as they tend to adapt works that work within that framework to a certain extent, but then turn them on their heads. They then proceed to add all their SHAFT-isms and Shinbo-isms to the mix. It doesn’t always turn out great, but at least they’re leaving a unique mark on works which were already fairly unique.

I’m not sure how much all those words amount to, but at the very least I wanted to give that piece more than just a couple of tweets in response. And if anything, I hope to open up something of a dialogue regarding this issue, because it’s always worth thinking about.