Party like it’s 2017 atb

Code Geass won’t win any awards for outstanding writing, but I’ll be damned if this stuff isn’t extremely entertaining. It’s like a 24 minute party each week, and everyone’s invited. The problem with having a guest list like this is; while you’ll get some dudes who really know how to party it up, you’ll also get some dead serious types who take all the fun out of the whole affair. You know, those guys who write the Code Geass entries on Wikipedia and sometimes forget to write in the historical present.

Code Geass is fun. It is not something meant to be taken entirely seriously. It’s a show that concerns itself with giant, toyetic, multi-coloured robots and plans that are about as plausible as the plot of a Golgo 13 episode. Yet, despite this, you have an entire legion of fans who treat this thing like the End of Evangelion. They’re the kind of people who take you extremely seriously when you crack a sarcastic joke. They somehow miss the irony here, which I find quite difficult since it hits me in the face like a sack of bricks episode after episode.

Geass is not deep. Geass is not complicated. Geass is not clever. Geass is crazy. It’s motherfucking insane. It has the kind of plot that only a night of heavy drinking and drug use could produce, and that’s why I love it. It beats me in the face each week with a giant WHAT bat,  and more often than not it beats me way more than once. It’s a good time.

What ruins that good time is the fans, though. I mean seriously, how many times are you going to take the same joke seriously? It took me four episodes before I learned that Code Geass wasn’t going to be serious business, so I don’t see why these guys haven’t even so much as considered that their holy grail of alleged exceptional writing may not be as serious as they think two seasons in.

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